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マクロプロス事件 全曲 マルターラー演出、サロネンウィーン・フィル、デノケ、ヴェリ、他 [DVD] [Import]

605円

マクロプロス事件 全曲 マルターラー演出、サロネンウィーン・フィル、デノケ、ヴェリ、他 [DVD] [Import]

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Product Description

C Major Entertainment presents Janacek's The Makropoulos Affair - the opera sensation from the 2011 Salzburg Festival. Esa-Pekka Salonen amp; the Vienna Philharmonic Orchestra, featuring Angela Denoke and the staging of Christoph Marthaler received fantastic reviews from all over the world. "Esa-Pekka Salonen ensures a brilliant reading of Janacek's fascinating score, which both heightens the opera's suspense and soars with music of passion." The New York Times "Ms. Denoke is a compelling actress" The New York Times "cast, conductor and direction team won unanimous applause" Financial Times "This is the first production of The Makropoulos Affair ever available on Blu-ray Disc!"

マクロプロス事件 全曲 マルターラー演出、サロネンウィーン・フィル、デノケ、ヴェリ、他 [DVD] [Import]

Je suis d'accord avec les commentaires précédents, Emilia Marty évoque irrésistiblement Lulu. Comme Lulu, EM, gagnée par le relativisme de siècles d'existence, vampirise son entourage masculin, fragile et névrosé, jouant des uns et des autres pour mieux parvenir à sa fin, se saisir de la formule de l'immortalité pour gagner un nouveau départ. Mais, comme Lulu, le non-sens finit par glacer l'Ame et le sang et l'amène à choisir in fine une autre voie...Il faut une forte personnalité pour habiter un tel personnage, véritable centre de gravité de tout l'opéra, et Angela Denoke est içi saisissante, mélange de froideur mais aussi de fragilité.La trame orchestrale de Janacek, si originale içi, si riche, chaleureuse, humaine, évocatrice, est magnifiée par un Salonen des grands jours, qui trouve toujours le ton juste. Le reste de la distribution est parfait, hommes sans envergure au physique Kafkaien, Kristina lumineuse par qui viendra le sursaut. La réalisation de Marthaler, sobre, va à l'essentiel sans artifices. Une Emilia Marty captivante, un grand chef, un réalisateur au service de l'oeuvre, tout concourt à faire de cette réalisation un grand moment d'opéra.
Soy amante de la opera no conocia en exceso a Leos Janacek, y me ha gustado mucho.Ademas he recibido el producto con suma rapidez y su presentación es muy buena.Lo recomendaria y daria mi opinion favorable a mis amistades.
Try not to read the synopsis first, watch the opera. It's quite a story. If you've never seen it because people tell you it's an oddity or you've been told it's 'difficult', take no notice and enjoy what I think is probably Janacek's most glorious operatic score, orchestrally. His music isn't fragmented, it is logical and works as a commentary; lots of themes and dramatic monologues link and weave around the action and Act III of Makropulos contains some of his most heartfelt music. Throughout the opera Salonen doesn't allow any of the rhythmical or dramatic music to drag, yet gives lots of space for the romantic sections, sometimes too hurried in other performances.Janacek is Janacek; don't think about Wagner, Strauss or Berg, just enjoy his ability to present you with explosions of romanticism and great atmospheric drama in his own way. The Vienna Philharmonic are the stars of this performance as much as the excellent cast, varying reviews of which are worth reading elsewhere here.The production is unusual; its intention was partly to restore some of the comedy and maybe absurdity of Karel Capek's original play. I really do advise watching it without knowing the story; the text is self explanatory and it'll become clearer with repeated viewings. It's not pure science fiction, but has intrigue and a fantastical edge, and there's a lot of Kafka/Escher type references in the action. The static setting doesn't detract from the story.I found Angela Denoke magnificent as Emilia Marty; the way she almost recedes into the sixteen-year-old character from where it all began is well presented; she sings the final scene out into the theatre from the edge of the stage, not rushed, sharing all the heart-breaking sentiment with us almost like a concert performance. I love it. The more you get to know this section the more you realise it ranks high among the great operatic final scenes of all time. Specifically here, Salonen's control of the musical flow is very supportive.Raymond Very portrays Bertie as Emilia describes him: a 'Mummy's boy', and hits some marvellous high notes with great ease. Johan Reuter's baritone fills the hall (an amazing acoustic venue) and Jurgita Adamonytë is a lovely excitable Krista. There's a rather unnerving side to this production, and I'd like to read more about Marthaler's intentions than we get in the accompanying booklet.I was extremely impressed with the sound on this DVD; balance and tone are well preserved and the fulminant power of Janacek's music is arresting. I would have liked a few close shots of the orchestra! But enjoy the lovely chance meeting with a little visitor at a very poignant moment.
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